My name is Kristen and I have severe stage fright. I can sing alone just fine, anything actually. But when I’m in front of people, I freeze and turn bright red. Also, no one has ever told me I have an “incredible voice” or anything like that. I do believe that I have a really good voice and I eventually want to go into the music biz. I can’t even sing in front of my best friend of 8 years. I’m afraid she’ll laugh at me or snigger and say that I suck or something. If you could give me some advice, or help me in some way that would be great.
Thanks again, Kristen.
Stage fright is the same as stage excitement. It is that feeling of being “up” and ready to do your best. It is a good thing. Many performers become flushed when they perform at their peak. They may sweat profusely and turn beet red. This happens when blood vessels dilate. It is the brain preparing you to do your best. All this is caused by the release of adrenaline. It is the “fight or flight” response. You want this to happen and then take action. Debilitating stage fright occurs when you neither fight nor flee. You grind in place taking no action while the engine races in high gear. Cars don’t like this; your mind/body doesn’t either.
Experienced performers have learned that this elevated feeling is natural and something good to be used in their act. They have learned to control and use it. Beginners call it stage fright. It often gets out of control and prevents them from doing what they have prepared to do.
So what needs to change is not your physical responses when you are about to perform, but your thoughts about them. Just as your body can be trained to go through certain motions automatically through repetition of the same action–called practice–you can train your mind to think the right things when these changes happen.
The cure for stage fright is practice. Mozart said, “Slow practice makes for fast playing.” Slow practice is meditation for the body. To help your mind you might try meditation.
Here are some thoughts to meditate on. Meditation is to the mind what physical practice is to the body.
1. If you are afraid of what people might think of you, be assured they are not thinking of you. They are thinking of themselves.
2. If you are afraid you will make a mistake, be assured no one will notice you made a mistake unless you tell them or show them through body language that says you are not happy with your performance. They won’t notice because they are too busy thinking their own thoughts which are about themselves.
3. If you are afraid of the criticism of others, be assured that when you are criticized–rarely will this happen–the information you receive is about the speaker and not about you. As the saying goes, “What people say about others reveals more of themselves than about others.” This goes for critics as well.
4. If you receive praise from others, be assured that it is as meaningless as criticism. It is not good to let either enter that quiet place in your mind where you know the truth of all things.
5. All greatness is built upon humility. A humble soul is the foundation for great acts. So when you are filled with self doubt, when you think your best is not good enough, when you do everything right and it stills looks wrong, you are being given humility. True humility is hard to come by. The proper response for such a great gift is gratitude.
6. All performing is about and for the audience. Even an audience of one. Although our performance seems to say, “See me, hear me, touch me,” all great performers turn this around and send the message, “I see you, I hear you, I touch you.” This is the irony and the catch-22 of show business. The humble soul can do it. The fearful soul cannot. Fear is about you. Love and acceptance is about them. Fear wants to push away. Love and acceptance wants to take in. The love is for them; the acceptance is for yourself.
As you meditate on these things, breathe deeply and slowly. Do this for a half hour every day. Fifteen minutes in the morning and another fifteen at night.
If you are a singer, take lessons and do the exercises that will strengthen your singing muscles.
If you do all these things you will be surprised–and humbled we hope–at the results. But you may not notice your success because you will be thinking of others.
I recommend my book, The Art of the SoloPerformer: A Field Guide to Stage & Podium
Good luck, Kristen.
PS: To answer your question… You will never really know for sure if you are good enough. After many years of singing you could look back and say, “Well, I guess I was good enough.” But that’s another story.
Steve Rapson is an author, songwriter and solo guitarist with one book published and several CD’s released. All available at http://www.steverapson.com